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1958. ์ž‘๊ฐ€ [email protected]


๐ŸŸก ํ•™๋ ฅ

๐ŸŸก ๊ฐœ์ธ์ „

๐ŸŸก ๊ทธ๋ฃน์ „

๐ŸŸก ๊ณต๊ณต๋ฏธ์ˆ  ํ”„๋กœ์ ํŠธ

๐ŸŸก ์ „์‹œ๊ธฐํš

๐ŸŸก ์ €์„œ

๐ŸŸก ์ž‘ํ’ˆ์†Œ์žฅ

๐ŸŸข Education

๐ŸŸข Solo Exhibition

๐ŸŸข Group Exhibition

๐ŸŸข Public Art Project

๐ŸŸข Directing

๐ŸŸข Publishing

๐ŸŸข Public Collections


ํ™์ดํ˜„์ˆ™

๋Œ€ํ•œ๋ฏผ๊ตญ ๊ฒฝ์ƒ๋ถ๋„ ์ ์ดŒ ์‚ฐ๊ณจ๋งˆ์„ ์ถœ์ƒ์ด๋ฉฐ ๋Œ€ํ•™์—์„œ๋Š” ์กฐ๊ฐ์„ ์ „๊ณตํ–ˆ์ง€๋งŒ ์˜์ƒ์„ค์น˜, ํผํฌ๋จผ์Šค ์‚ฌ์ง„ ๋“ฑ์˜ ๋ฏธ๋””์–ด๋ฅผ ์“ด๋‹ค. ํ˜„์žฌ ๊ฒฝ๊ธฐ๋„์™€ ์„œ์šธ์„ ์˜ค๊ฐ€๋ฉฐ ์ž‘์—…ํ•˜๊ณ  ์žˆ๋‹ค..โ€˜๋™๋ฌผ์ด ๋‚˜๋ฅผ ๋น„์ถ˜๋‹คโ€™๋ผ๋Š” ์˜๋ฏธ์˜ ๋™๋ฌผ๊ถŒ ์„ธ๋ฏธ๋‚˜ ๋ชจ์ž„์ธ โ€˜ALiM;โ€™์˜ ํšŒ์›์ด๋‹ค. ์ž˜ ์•ˆ ๋ณด์ด๋Š” ๊ฒƒ๋“ค, ์‚ฌ์ด์— ์žˆ๋Š” ๊ฒƒ๋“ค, ํ˜น์€ ๋ณด๋ ค ํ•˜์ง€ ์•Š๋Š” ๊ฒƒ๋“ค์„ ๋“œ๋Ÿฌ๋‚ด๊ณ ์ž ํ•˜๋Š” โ€˜์€๋‹‰๋œ ์—๋„ˆ์ง€์ „โ€™(1995, ๋ฏธ์ˆ ํšŒ๊ด€) ์‹œ๋ฆฌ์ฆˆ๋กœ ์‹œ์ž‘ํ•˜์—ฌ ์žฅ์†Œ์™€ ๋ชธ(์‚ฌ๋žŒ, ๋™๋ฌผ, ์‚ฌ๋ฌผ)์„ ์œ ๋น„ํ•˜๋Š” ์„ค์น˜์ž‘์—…(๊ตญ๋ฆฝ๊ทน์žฅ๊ณ„๋‹จ 1997, ์ธ์‚ฌ๋™ ์œก๊ต 2000, ํ†ต์ผ์ „๋ง๋Œ€ 2002,)์„ ํ•˜์˜€๋‹ค. 2005๋…„, ๋Œ€์•ˆ๊ณต๊ฐ„ ํ’€์—์„œ์˜ ๊ฐœ์ธ์ „๋ถ€ํ„ฐ, ์˜์ƒ์ž‘์—…์„ ํ†ตํ•ด ์ž‘๊ฐ€์ž์‹ ์˜ ๋ชธ์ด ์–ด๋–ค ํŠน์ •ํ•œ ์žฅ์†Œ, ํŠน์ •ํ•œ ์‹œ๊ฐ„๊ณผ ์ง์ ‘ ๋งŒ๋‚˜๋Š” ํ’๊ฒฝ์„ ๊ทธ๋ฆฌ๊ธฐ ์‹œ์ž‘ํ•˜์˜€๋‹ค. 2012๋…„์— ใ€Šํ๊ฒฝ์˜๋ก€ใ€‹(๋ณตํ•ฉ๋ฌธํ™”๊ณต๊ฐ„ ์—๋ฌด), 2019๋…„์—ใ€Šํ•œ๋‚ฎ์˜ ์Šน๊ฐ€์‚ฌใ€‹(๊ณต๊ฐ„์ผ๋ฆฌ) 2021๋…„์— ใ€Šํœญ์ถ”-ํ‘ธใ€‹(์•„๋ฅด์ฝ” ๋ฏธ์ˆ ๊ด€, 2021)๋“ฑ ๊ฐœ์ธ์ „์„ ํ•˜์˜€๊ณ  ๊ตญ๋‚ด ๋ฐ ํ•ด์™ธ์—์„œ ๋‹ค์ˆ˜์˜ ๋‹จ์ฒด์ „์— ์ฐธ์—ฌํ–ˆ๋‹ค. 2015๋…„ ์–‘ํ‰๊ณต๊ณต๋ฏธ์ˆ ํ”„๋กœ์ ํŠธ <์‹ค์‹ ํ”„๋กœ์ ํŠธ ๋‚จ์–‘๊ด‘ํ•˜> ์ด๊ฐ๋…์„ ์—ญ์ž„ํ–ˆ๊ณ , ใ€Š๊ฐ€์ƒ์˜ ๋”ธใ€‹(2004~6)๋“ฑ ๋‹ค์ˆ˜์˜ ์ „์‹œ๋ฅผ ๊ธฐํšํ•œ ๋ฐ” ์žˆ๋‹ค. ์ผ์ƒ์  ์ˆ˜ํ–‰๊ณผ ์ˆ˜๋ จ์„ ํ†ตํ•ด์„œ ๊ธธ์–ด ์˜ฌ๋ฆฐ, ์ถ”์ƒ์œผ๋กœ ์ธ๊ฐ„์ด๋ผ๊ณ  ํ•˜๋Š” ์ฃผ๋ฅ˜์˜ ์กด์žฌ์—์„œ ํƒˆ ์ค‘์‹ฌํ™”ํ•ด๋ณด๋ ค ํ•œ๋‹ค. ๋ƒ„์ƒˆ์™€ ์†Œ๋ฆฌ์™€ ์ง„๋™ ๊ทธ๊ฒƒ๋“ค์„ ํƒ€๊ณ  ๋„˜์œผ๋ฉฐ ์–ด๋–ค ์ˆœ๊ฐ„์˜ ๋น„์•ฝ์ ์ธ ์ฒดํ—˜์„ ํ†ตํ•ด์„œ ์ธ๊ฐ„๊ณผ ๋น„์ธ๊ฐ„์˜ ๊ฒฝ๊ณ„๋ฅผ ๋„˜์–ด์„ , ๊ณต๊ฐ๊ฐ์˜ ์žฅ์†Œ๋ฅผ ๋งŒ๋“ค๊ณ ์ž ํ•œ๋‹ค. ๊ฒฐ๊ตญ ๋ชฉ๊ฒฉํ•  ๊ฒƒ์ด๊ณ  ๊ฐ™์ด ์กด์žฌํ•  ๊ฒƒ์ด๊ณ  ๊ทธ๋ž˜์„œ ๋„˜๋‚˜๋“ค๊ฒŒ ๋  ๊ฒƒ์ด๋‹ค.

Hong Lee, Hyunsook

Hong Lee, Hyun-Sook was born in a mountain village in Jeomchon, Gyeongsangbuk-do, South Korea. Although she majored in sculpture in college, she uses various media such as video installation, performance, and photography. Currently, she works between Gyeonggi-do and Seoul She is a member of โ€˜ALiM;โ€™, an animal rights seminar group meaning โ€˜animals reflect on meโ€™. Beginning with the 'Concealed Energy Exhibition' (1995, Art Center) series, which seeks to reveal things that are difficult to see, things in between, or things that you do not want to see, installation works that analogize places and bodies (people, animals, objects) ( Stairs of the National Theater 1997, Insa-dong Pedestrian Bridge 2000, Unification Observatory 2002,). In 2005, from the solo exhibition at the alternative space Pool, I began to draw landscapes in which my body directly meets a specific place and time through video work. In 2012, I had her own solo exhibitions such as ใ€ŠThe Ritual of Menopauseใ€‹ (complex cultural space Emu), ใ€ŠSeunggasa at Middayใ€‹ (Space Illi) in 2019, ใ€ŠSwoosh, Tsu-puใ€‹ (Arko Art Museum, 2021) in 2021. Participated in numerous group exhibitions at home and abroad. In 2015, I served as the general director of the Yangpyeong public art project <The Silsin Project, Namyang Gwangha>. My works are in the collections of the National Museum of Modern and Contemporary Art, Seoul Museum of Art, Gyeonggi Museum of Art and Suwon Museum of Art. I try to decentralize from the mainstream existence of human beings with abstractions raised through daily practice and training. I want to create a place of synesthesia that transcends the boundary between humans and non-humans through the rapid experience of a certain moment, riding over smells, sounds, and vibrations. In the end, you will witness it, you will exist together, and you will come and go.


๐Ÿ”ด ์ŠˆํŠธ์ผ€์ด์Šค ์ž‘์—… | Suitcase Work

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์ž‘์—…๋ฆฌ์ŠคํŠธ suitecase list_ํ™์ดํ˜„์ˆ™(Hong Lee Huynsook).pdf